Paradiso [giardino] is a derivative of the larger Paradiso project which involves the three authors of Nanou, Pirri and Dorella. It is an in-depth study of the rewriting of the theatrical ritual, of the format of the theatrical ritual, of its fruition and of how the choreographic object works to inhabit and rewrite a place, for this occasion outdoors, in a garden.

For the Crisalide festival, Paradiso continues to change shape and enters into dialogue with the natural environment. This new moment represents for Paradiso a delicate and contemplative reaction to the surrounding environment, which further modifies the terms of a relationship and an artistic dialogue that is always open and in progress, which aim at the creation of a total, hybrid work that allows the emergence of ephemeral visions.
This research paves the way for a new conception of choreographic art, which embraces all artistic disciplines and establishes a different relationship between performance, space and audience.