John Doe OST, the sound of Roberto Rettura built for gruppo nanou’s performance.
When music builds the choreographic space.
A soundscape that is intertwined in the vision.
Marco Valerio Amico, Rhuena Bracci and Roberto Rettura’s research on “live cinema” encounters a name, John Doe, which in US legal jargon indicates a person whose identity is unknown.
The theater of gruppo nanou is a place of pure presences, of bodies stretched beyond the dance towards uncertain boundaries, of environments, lights, objects, sounds, which form intricate labyrinths or apparently clear paintings, essential signs to sound alarms about our confused present, lost, in search of visions and lost in the seductions of images.

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