From a drift of the broader Paradiso project, the version [giardino], thanks to the three authorships of nanou, Pirri, and Dorella, offers an in-depth look at the rewriting of the theatrical rite, its format of the theatrical rite, its fruition, and how the choreographic object is employed to inhabit and rewrite a place, for this occasion outdoors, in the Certosa Park in Collegno, behind the Lavanderia a Vapore.

Unlike Paradiso, in performance in nature there is no access to immersion but one observes the action while maintaining a distance. Paradiso [giardino] changes form and enters into dialogue with the natural environment: a delicate, contemplative reaction to the surroundings, changing the terms of an artistic relationship and dialogue that aims to create a total, hybrid work that allows ephemeral visions to emerge. This research paves the way for a new conception of choreographic art, embracing all artistic disciplines and establishing a different relationship between performance, space and audience.