From a derivative of the broader Paradiso project, the garden [giardino] version, thanks to the three authors of nanou, Pirri and Dorella, offers an in-depth study on the rewriting of the theatrical ritual, on its format of the theatrical ritual, its use and how the choreographic object will work to inhabit and rewrite a place, for this outdoor occasion, in the spaces of Forte Marghera on the occasion of the Venere in Teatro festival.

Unlike Paradiso, in the performance in nature there is no access to immersion but one observes the action while maintaining a distance. Paradiso[giardino] a, wpcodeself changes shape and places itself in dialogue with the natural environment: a delicate and contemplative reaction to the surrounding environment, which modifies the terms of a relationship and an artistic dialogue that aims at the creation of a total work, hybrid that allows the emergence of ephemeral visions. This research paves the way for a new conception of choreographic art, embracing all artistic disciplines and establishing a different relationship between performance, space and audience.