Video Production

313 film production, Nanou Associazione Culturale

Concept

Marco Valerio Amico and Giulio Boato

Shooting

Giulio Boato and Laura Accardo

Editing

Giulio Boato

Original Music

From the project “PARADISO” by
gruppo nanou, Alfredo Pirri, Bruno Dorella

Choreography

Marco Valerio Amico, Rhuena Bracci

Spazio scenico
Lights

Marco Valerio Amico

Colors

Marco Valerio Amico, Alfredo Pirri

Costumes

Rhuena Bracci

With

Carolina Amoretti, Marina Bertoni, Vera Borghini, Rhuena Bracci, Marco Maretti, Michele Scappa

And the graduates (2019) of the Post Diploma – Dance Course of the Civica Scuola di Teatro “Paolo Grassi” of Milan: Livia Bartolucci, Alessandra Cozzi, Elisabetta Da Rold, Agnese Gabrielli, Nicolò Giorgini, Simone Mazzanti, Camilla Neri, Francesca Rinaldi, Pablo Ezequiel Rizzo, Bruna Romano

Production

Nanou Associazione Culturale, Ravenna Festival

Contribution

MIC, Regione Emilia-Romagna, Comune di Ravenna, Fondazione del Monte di Bologna e Ravenna

Collaboration
Support

Centro di Residenza della Toscana (Armunia-CapoTrave/Kilowatt), E Production, ATCL Circuito Multidisciplinare del Lazio per Spazio Rossellini Polo Culturale Multidisciplinare della Regione Lazio, C.U.R.A. Centro Umbro Residenze Artistiche, Spazio ZUT!, Indisciplinarte, La Mama Umbria International

Paradiso is a collective project by the contemporary research dance company gruppo nanou,the artist Alfredo Pirri and the musician Bruno Dorella. His journey began in 2021 through appointments, sketches, understood as the progressive deepening and development of research and experiments for the construction of a performative process that brings into play the relationship between different languages.

Filming the performance, the dance, the movement in the space marked by time has been Giulio Boato’s field of investigation for years. Each performance requires a different strategy to dialogue with the video, a different “translation technique”. The short film PARADISO [VIDEO BOZZETTO] is not intended to explain, but to accompany the viewer through a flow, a metamorphosis. We tried to build – through the editing of the images of some days of work – a “story through images and sound” of a place crossed over time by dance, light, matter, human, returning that set of concentric circles that transform each other, in constant change, which are at the base of the work.

Giulio Boato