Sulla conoscenza irrazionale dell'oggetto
By and with

Marco Valerio Amico, Rhuena Bracci

Sound

Roberto Rettura

Set

Samantha Turci

Production

Nanou Associazione Culturale, 4 Cantieri per Fabbrica Europa

The scene is bare, bare: there are a few essential objects and very simple garments.
The body and the word take a step back to recover a bestiality that is proper to the human but stands to the side of it, a bit off to the side, hidden: hunched figures exploring a space that is familiar to them but hostile, perhaps dangerous.
The emergence of visions, are linked to themes such as premonition-eroticism-beast-eroticism of bestiality.

We rely on the following exercise to give color, flesh and words to a constantly changing place.

Questions:
1. Is it day or night? - 2. Who does it belong to? - 3. Is it reassuring? - 4. Where is it? - 5. Can you accompany with the moon? - 6. Where is it from? - 7. How many people does it contain? - 8. Where would you put it in an empty space? - 9. How does it react to fire? - 10. And in the dark? - 11. What crime does it correspond to? - 12. What material is it made of? - 13. What material would you like it from? - 14. What relationship do you have with it? - 15. What language does it speak? - 16. How does it die? - 17. With what should it meet in a dissection table for this to be beautiful?

Risposte:
1. Nocturnal - 2. To him - 3. No - 4. On the palm of the hand - 5. Yes - 6. From my stomach - 7. Infinite - 8. On the ground in the far left corner - 9. It becomes incandescent light - 10. It opens - 11. Bestial - 12. Quartz - 13. Unknown - 14. Distrust but it enchants me - 15. Not mine - 16. Opening like a scream - 17. 2 kneecap, 2 collarbones and a belly.

Photos

On the irrational knowledge of the object [tracks to nowhere] - © Laura Arlotti

Film

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