My name is Xebeche “the one who speaks aloud without saying anything”.
I’d rather be called Nobody.
Dead Man (1995)
Through the denial of identity, its disappearance, its softening of its boundaries, the fundamental problem is to produce unconscious and, with it, new statements, other desires.
Gilles Deleuze / Felix Guattari, Millepiani
For the first time, Nanou confronts the choreographic structure of the octet through the rigorous process of a creative strategy, played on the formalization of the figure and the fence that perimetra.
The body is an anthropomorphic form inevitably in conflict with the geometric fence.
The geometry of the enclosure takes on the rhetorical experiment of perfection, as it is functional to the unleash produced on the internal figure spread out in an impossible center.
The choreographic structure is a continuous mutation that follows differently the passage of the body and the transformation that this gives to the place.
An infinite sequence plane that weaves and pours over itself until it becomes a knot and then bursts