gruppo nanou e OvO


Marco Valerio Amico, Rhuena Bracci


OvO (Stefania Pedretti, Bruno Dorella)


Arianna Gasparotto, Alberto Groja, Rhuena Bracci, OvO

Luci e colori

Marco Valerio Amico


Marco Valerio Amico, Rhuena Bracci


Nanou Associazione Culturale


MIC, Regione Emilia-Romagna, Comune di Ravenna

For the first time live in Ravenna, for two evenings the gruppo nanou and OvO with Canto Primo merge in this first canto, creating an object that is an elevation to the power of the two artistic realities.

gruppo nanou company and OvO band rewrite their two latest projects, the album Miasma and the choreographic work in progress Arsura, to unleash a personal imagination that makes use of the strength of the radical languages of the two artistic realities.
Canto Primo of a collaboration that manifests itself here between sounds and infernal, dreamlike and disruptive images.

Arsura is a thirst that is generated thanks to the emptiness, the absence, the resistance of a body only in a vast space.
It's a work of time.
Rhuena Bracci (historical dancer and co-author of the company) is an imaginary in movement, which cancels her own tangible individuality. She pursues shadows of purely physiological sensations that pour into the curved shoulders, in the continuous falls, in continually escaping from centrality becoming arid land, in fibrillation, waiting for a new transformation of the body's state.

The revolutionaries OvO, in their ninth album Miasma, try to return how much science fiction and reality are, in hindsight, contiguous in our contemporaneity and how much, therefore, the miasma is close to us. Bruno Dorella (Ronin, Bachi da Pietra, Tiresia, GDG Modern Trio, Sigillum S, etc.) and Stefania Pedretti (? Alos) have taken a step back to their punk / hardcore roots, and have kept their typical organic and noisy electronics intact, as well as the radical contamination between tribalism and futurism, adding a significant amount of chaos, to the alchemical representation of the three phases of the miasma (Psora, Lue and Sicosi, according to Samuel Hahnemann's essay chronic diseases dating back to 1828).

The performance is included in the ToDay ToDance program, the review on the forms of contemporary and author dance promoted byCantieri Danza, E Production, Fondazione Ravenna Manifestazioni, Ravenna Teatro and Teatro del Drago.
The program about ToDay ToDance