Choreography
Marco Valerio Amico, Rhuena Bracci
With
Carolina Amoretti, Marina Bertoni, Andrea Dionisi
Set and lights
Marco Valerio Amico
Action cam
Rhuena Bracci
Production
Nanou Associazione Culturale
Support
Awards
Winner project of RESIDENZE DIGITALI curated by Centro di Residenza della Toscana (Armunia – CapoTrave/Kilowatt), in collaboration with AMAT, Fondazione Romaeuropa, Fondazione Piemonte dal Vivo/Lavanderia a vapore, Centro di Residenza Emilia-Romagna (L’arboreto-Teatro Dimora / La Corte Ospitale), Teatro della Tosse, Zona K
Contribution
MIC, Regione Emilia-Romagna, Comune di Ravenna
The show
THEM - Image Movement
in an installation designed specifically for the spaces of the art gallery of the MAR Museum of the city of Ravenna, created for Fèsta, the review of E Production.
Tuesday 28 - performance
Entrance hours: 4 p.m. - 4:30 p.m. - 5 p.m.
Wednesday 29 - program
6 p.m. - Species of Spaces, public meeting with architect Francesca Serrazanetti and choreographer Marco Valerio Amico on the relationship between dance and architecture.
7-8 p.m. - DjSet by Bruno Dorella
Admission times for the performance: 7 p.m. - 7:30 p.m.
Thursday 30 - performance
Entrance hours: 4 p.m. - 4:30 p.m. - 5 p.m.
Francesca Serrazzanetti: Architect, received her bachelor's degree and Ph.D. in Architectural and Urban Design. He has been an adjunct lecturer at the Milan Polytechnic since 2011. She is co-founder and editor of the peer-reviewed journal "Stratagems," a quarterly journal of theater studies.
Tickets:
Admission for performance and museum tour: €8.00
Meeting and DjSet, free admission
For the performance, places are limited. Reservations are recommended by emailing info@e-production.org
THEM is a choreographic installation that relates to the video camera and the opportunity for perspective multiplication of vision through real-time audiovisual playback.
Winner of the Residenze Digitali 2022 award, THEM defines its form "in presence" while maintaining the experience of video shooting and live streaming.
Reflecting on the use of video, always curious about means and ways to investigate the choreographic language, continuing the research and relationship with the cinematographic and visual language that distinguishes Nanou's work, the company investigates the use of video on stage to experiment shooting methods through the use of action cams and transform video shooting into dance action.
The choreographic installation is a sequence observed, again with a fresh eye, by the handheld video camera operated by choreographer Rhuena Bracci, who is also on stage.
The scene is presented as a circular territory, observable from any front.
The connotation is that of a performance in a museum space of visual and contemporary art. The image is proposed as an action to determine an immersiveness in the choreography.
The three televisions reproduce the choreography in real time, multiplying the perspective and experiencing the vision through a rewriting of space in a different temporal unit.
